Previous · Els àngels no tenen fills

The Verbatim theatre cycle, which La Planeta has been supporting for several years now, turns this time to one of those issues that seem not to exist until someone starts talking about them out loud: the sexual and reproductive rights of people with functional diversity. Clàudia Cedó’s dramaturgy and direction in Els àngels no tenen fills clearly enters into dialogue with Mare de sucre. With the same theme and, also, with some of its protagonists. Testimonial theatre that raises questions most people have probably not asked themselves until now. What makes one part of the community believe it is more entitled than another to motherhood/fatherhood?