Marina Otero returns with 'AYOUB'
The performance piece originally announced as El Oficio de Morir is now presented under the title AYOUB. It is the same creation, continuing the project Recordar para vivir, following Fuck Me (TA22), Love Me (TA23), and Kill Me (TA24). The project was born from the intention that Marina could save a man in a vulnerable situation and, at the same time, that this man could save her from loneliness. The appearance of Ayoub transformed that search; his name (“the returned” or “the repentant”) is very common in Islamic countries: 615 children bearing that name were killed by the Zionist state of Israel in the Gaza Strip. For those who died, she gives this work his name — a piece that speaks of Ayoub, of colonialism, of Palestine. And of everything she wants to kill inside herself.
Artistic team
Text and direction: Marina Otero
On stage: Ibrahim Ibnou Goush and Marina Otero
Camera: Florencia de Mugica
Technical coordination and touring technician: Giancarlo Pia Mangione
Lighting design: Facundo David
Sound design: Antonio Navarro
Video editing: Daniela García
Text supervision: María Velasco
Collaboration: Javier Montero
Translation into Dariya: Farah Hamdaoui Kadaoui
Musical arrangements: Juan Pablo de Mendonça
Photography: Andrés Manrique and Andrés Carnalla
Tailor: Guadalupe Blanco Galé
General and executive production: Mariano de Mendonça
International distribution: Tecuatro – PTC Teatro – Otto Productions
Acknowledgements: Nuria Güell, Adrián Carrasco, Andrés Manrique, Somaya Taoufiki and Martín Flores Cárdenas
Images
FROM THE SAME ARTIST
Kill me (TA24), Love me (TA23), Fuck me (TA22)
Prepare your show
Ibero-American Connection: 
ARGENTINA
CATALONIA PREMIERE
