Caramel
- 2024

Les impuxibles, for the first time with texts by Pablo Messíez, explores our relationship with substances.
Les impuxibles, for the first time with texts by Pablo Messíez, explores our relationship with substances.
Caramel was born out of the desire to try to understand the different ways of relating to substance use and its effects.
After two years of research, meetings and conversations with people and institutions linked to the subject, it has become clear to us that it is not possible to give an account in a single work of the multiple issues that unfold as we observe the complex world of consumption.
At one extreme, the moralistic and stigmatising gaze marked by the arbitrariness of what is legal and what is not. At the other, the romanticisation of consumption as a reactive option in the face of hegemonic judgement.
But what is going on? What is the question: how can one and the same thing be both liberation and prison? A tool of control of the system and an action of anti-system rebellion.
It is clear that in cases of problematic use, the problem is not the substances, but the relationship that is established with them. And that this relationship will be determined by a combination of various factors such as class, gender or trauma-related injury.
However, when it comes to drugs, the stigma often appears instantly. It is easy to blame the forbidden. But as soon as we look at the list of permitted drugs, miraculously the stigma disappears. We are on the side of good. The law of business, like an animal, marking territory.
But what is going on, what is the question, how can one and the same thing be both liberation and prison? A tool of control of the system and an action of anti-system rebellion.
 It is clear that in cases of problematic use, the problem is not the substances, but the relationship that is established with them. And that this relationship will be determined by a combination of various factors such as class, gender or trauma-related injury.
However, when it comes to drugs, stigma is often instantly apparent. It is easy to blame the forbidden. But as soon as we look at the list of permitted drugs, miraculously the stigma disappears. We are on the side of good. The law of business, like an animal, marking territory.
But what if, instead of focusing on the substance, we look at the real danger zone: compulsion? All the actions we do without thinking about whether we feel like it, or even knowing that we don’t feel like it at all.
Where does this docility come from, and what causes it?
Is it not perhaps the capitalist system itself that feeds, promotes and facilitates the confusion between compulsion and desire?
From what you have, what do you need? From what you want, what do you want more of?
It is in the transformation of a desire into a compulsion that the practice of consumption becomes problematic. Is it not a question, then, of seeking to recognise the origin of the compulsive practice in order to deactivate it, instead of prohibiting consumption or stigmatising those who resort to it in search of relief or diversion?
Our wish is for the work to be a question. Neither to silence nor to judge.To try to understand, so that we can take care of ourselves and that it is true.
Pablo Messiez and Las Impuxibles.
Artistic team
Stage direction: Ariadna Peya i Clara Peya
 Text and external gaze: Pablo Messiez
 Choreography: Ariadna Peya
 Original music: Clara Peya
 Playwright and Catalan translation: Marc Cartanyà
 Dramaturgy: Ariadna Peya, Clara Peya, Marc Cartanyà i Rita Molina Vallicrosa
 Assistant Director: Rita Molina Vallicrosa
 Acting accompaniment: Marc Cartanyà i Rita Molina Vallicrosa
 Interpreters: Clara Peya, Ariadna Peya, Helena Gispert, Joan Solé, Mabel Olea, Pol Guimerà and Sandra Pujol 
 Voice over: Pablo Messiez
 Scenography and lighting design: Judit Colomer
 Locker room: Joan Ros
 Sound design: Carles Bernal
 Accessibility Advisor: Èlia Farrero
 EMAV internship (accessibility): Òscar Argemí
 Content Advisors: Míriam Vázquez (Espai Ariadna), Aura Roig (Metzineres), Gastón Auguste, Clara Serra, Energy Control, Gerard Matín-Funés, Sandro Bedini, Júlia, Maria i Clara Faura Vilarmaui, Vero i altres persones que prefereixen mantenir-se en l’anonimat.
 Company technical manager: Jordi Berch
 Technical coordination: Mariona Ubia
 Technical production: Contracorrent
 Production management: Mireia Gràcia Bell-lloch i Júlia Simó Puyo
 Executive producer: Maria G. Rovelló
 Company communication: Marta Vilanova, Cristina Castilla (L’eclíptica)
 Construction of scenography: Pascualin Estructures
 Poster photography: Xevi Abril
 Photographs: Marta Mas
 Teaser: Jep Jorba
 Acknowledgements: Reinaldo Ribeiro, Cercle de dones de l’Espai Ariadna, Fundació La Plana, Renata Ramos, Maria Beltrán, Albert Barbé, Jou Serra, Lipi hernandez, Cube Peak i els equips del Teatre Lliure.
Co-production Teatre Lliure, Les Impuxibles, Temporada Alta i Cassandra Projectes Artístics
 With the support of Institut Català d’Empreses Culturals, Graner, Nau Ivanow i Fabra i Coats
From the same company
FAM (TA21), Suite TOC núm. 6 (TA19)
Nominated for the Critics’ Awards in the ‘Original/Adapted Music’ category.

Show included in the Arteria Package



