Caramel
Les impuxibles, for the first time with texts by Pablo Messíez, explores our relationship with substances.
Les impuxibles, for the first time with texts by Pablo Messíez, explores our relationship with substances.
Caramel was born out of the desire to try to understand the different ways of relating to substance use and its effects.
After two years of research, meetings and conversations with people and institutions linked to the subject, it has become clear to us that it is not possible to give an account in a single work of the multiple issues that unfold as we observe the complex world of consumption.
At one extreme, the moralistic and stigmatising gaze marked by the arbitrariness of what is legal and what is not. At the other, the romanticisation of consumption as a reactive option in the face of hegemonic judgement.
But what is going on? What is the question: how can one and the same thing be both liberation and prison? A tool of control of the system and an action of anti-system rebellion.
It is clear that in cases of problematic use, the problem is not the substances, but the relationship that is established with them. And that this relationship will be determined by a combination of various factors such as class, gender or trauma-related injury.
However, when it comes to drugs, the stigma often appears instantly. It is easy to blame the forbidden. But as soon as we look at the list of permitted drugs, miraculously the stigma disappears. We are on the side of good. The law of business, like an animal, marking territory.
But what is going on, what is the question, how can one and the same thing be both liberation and prison? A tool of control of the system and an action of anti-system rebellion.
It is clear that in cases of problematic use, the problem is not the substances, but the relationship that is established with them. And that this relationship will be determined by a combination of various factors such as class, gender or trauma-related injury.
However, when it comes to drugs, stigma is often instantly apparent. It is easy to blame the forbidden. But as soon as we look at the list of permitted drugs, miraculously the stigma disappears. We are on the side of good. The law of business, like an animal, marking territory.
But what if, instead of focusing on the substance, we look at the real danger zone: compulsion? All the actions we do without thinking about whether we feel like it, or even knowing that we don’t feel like it at all.
Where does this docility come from, and what causes it?
Is it not perhaps the capitalist system itself that feeds, promotes and facilitates the confusion between compulsion and desire?
From what you have, what do you need? From what you want, what do you want more of?
It is in the transformation of a desire into a compulsion that the practice of consumption becomes problematic. Is it not a question, then, of seeking to recognise the origin of the compulsive practice in order to deactivate it, instead of prohibiting consumption or stigmatising those who resort to it in search of relief or diversion?
Our wish is for the work to be a question. Neither to silence nor to judge.To try to understand, so that we can take care of ourselves and that it is true.
Pablo Messie and Las Impuxibles.
Artistic team
Stage direction: Ariadna Peya i Clara Peya
Text and external gaze: Pablo Messiez
Choreography: Ariadna Peya
Original music: Clara Peya
Playwright and Catalan translation: Marc Cartanyà
Dramaturgy: Ariadna Peya, Clara Peya, Marc Cartanyà i Rita Molina Vallicrosa
Assistant Director: Rita Molina Vallicrosa
Acting accompaniment: Marc Cartanyà i Rita Molina Vallicrosa
Interpreters: Clara Peya, Helena Gispert, Joan Solé, Mabel Olea, Pol Guimerà, Sandra Pujol i Yasser D’Oquendo
Voice over: Pablo Messiez
Scenography and lighting design: Judit Colomer
Locker room: Joan Ros
Sound design: Carles Bernal
Accessibility Advisor: Èlia Farrero
EMAV internship (accessibility): Òscar Argemí
Content Advisors: Míriam Vázquez (Espai Ariadna), Aura Roig (Metzineres), Gastón Auguste, Clara Serra, Energy Control, Gerard Matín-Funés, Sandro Bedini, Júlia, Maria i Clara Faura Vilarmaui, Vero i altres persones que prefereixen mantenir-se en l’anonimat.
Company technical manager: Jordi Berch
Technical coordination: Mariona Ubia
Technical production: Contracorrent
Production management: Mireia Gràcia Bell-lloch i Júlia Simó Puyo
Executive producer: Maria G. Rovelló
Company communication: Marta Vilanova, Cristina Castilla (L’eclíptica)
Construction of scenography: Pascualin Estructures
Poster photography: Xevi Abril
Photographs: Marta Mas
Teaser: Jep Jorba
Acknowledgements: Reinaldo Ribeiro, Cercle de dones de l’Espai Ariadna, Fundació La Plana, Renata Ramos, Maria Beltrán, Albert Barbé, Jou Serra, Lipi hernandez, Cube Peak i els equips del Teatre Lliure.
Co-production Teatre Lliure, Les Impuxibles, Temporada Alta i Cassandra Projectes Artístics
With the support of Institut Català d’Empreses Culturals, Graner, Nau Ivanow i Fabra i Coats
From the same company
FAM (TA21), Suite TOC núm. 6 (TA19)