2025 Edition

2025 poster, by cabosanroque
Following the tradition of collaborating with renowned artists to design the festival’s poster, this year at Temporada Alta we are working with cabosanroque, a multidisciplinary collective that returns to collaborate with the festival with a proposal inspired by Sous les Violons, La Plage!, their own installation presented during the 2023 edition of Temporada Alta.
In this proposal, Haydn’s Quartet No. 66 was transformed into a participatory experience where the audience could destroy a series of violins by throwing stones at them in order to generate a new sonic piece.
From this creative destruction — a collective catharsis — the 2025 poster was born as a visual metaphor, created from the pieces of those violins broken by the festival’s spectators.
Who are cabosanroque?
cabosanroque, formed by Laia Torrents and Roger Aixut, have participated in Temporada Alta on several occasions with projects such as El castor que plorava (TA24), Sous les Violons, La Plage! (TA23), Flors i viatges (TA22), Audioguia per a supermercats en temps de pandèmia (TA20), Dimonis (TA19), or No em va fer Joan Brossa (TA16), consolidating a trajectory where the boundaries between performing arts, music, and installation dissolve.
The 2025 poster is a declaration of intent inherent to their work: art as experimentation and sensory provocation.
In doing so, cabosanroque joins a long list of distinguished individuals who have collaborated with the festival in creating the poster, such as Isabel Banal, Antoni Tàpies, Cristina de Middel, Carles Santos, Carmen Calvo, Joan Fontcuberta, Eulàlia Valldosera, Narcís Comadira, Eugènia Balcells, Frederic Amat, Carme Sanglas, Enric Pladevall, or Ferran Adrià, among others.