Agnès Mateus and Quim Tarrida premiere a piece about faith, war and beliefs, with black humour and a political gaze

After the forceful Rebota rebota y en tu cara explota (TA18, TA21) and Patatas Fritas Falsas, a creation about fascism, Agnès Mateus and Quim Tarrida premiere at Temporada Alta a show about the institution of the Church, about beliefs, blind obedience, smoke-sellers and merchants of faith. With their direct, physical and politically uncomfortable language, the piece confronts us with the pillars of a religion that has just come back into fashion.

Artistic team

Creation: Agnés Mateus and Quim Tarrida
Performers: Agnés Mateus and extras team
Image: Quim Tarrida
Technical manager: Isma López de los Mozos
Set design and materials: Quim Tarrida and Isma López de los Mozos
Constructions: Llorenç Balaguer
Outside eye: Ernesto Collado
Production: A. Mateus & Q. Tarrida
Production assistance: Marta Gonzalez
A co-production by: Théâtre de la Bastille (Paris), Les Quinconces&L’Espal-Scène Nationale du Mans (França), Festival Temporada Alta (Girona), Espai Brossa (Barcelona), Festival IF Barcelona and AM&QT
With the support of: Teatre Auditori Agustí Soler de Navarcles, Konvent (Berga), Antic Teatre (Barcelona) and l’Institut Ramon Llull

Show artistic team

By the same company

Rebota rebota y en tu cara explota (TA21, TA18)

Agnés Mateus and Quim Tarrida are associated artists of Théâtre de la Bastille‐París (2024‐2027)

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Agnès Mateus and Quim Tarrida premiere a piece about faith, war and beliefs, with black humour and a political gaze

Artistic team

By the same company

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