Ai! La misèria ens farà feliços
A lucid and futuristic satire about the craft of living, acting, and being human in a world ruled by robotic perfection
A lucid and futuristic satire about the craft of living, acting, and being human in a world ruled by robotic perfection
Following the international success of Història d’un senglar, Gabriel Calderón presents a piece that questions the role of art, identity, and the acting profession in an automated society. With a sarcastic tone and echoes of Calderón de la Barca, the Uruguayan playwright envisions a theatrical dystopia in which humanity and actors have become obsolete. What remains of the human being when machines can do everything better? Featuring Pere Arquillué, Laura Conejero, Joan Carreras, and Daniela Brown, this is a sharp satire on the meaning (or not) of continuing to perform.
Artistic team
Written and directed by: Gabriel Calderón
Translation: Joan Sellent
Cast: Pere Arquillué, Daniela Brown, Joan Carreras and Laura Conejero
Set and lighting design: Laura Clos ‘Closca’
Costume design: Adriana Parra
Sound design: Ramón Ciércoles
Technical director: Pere Capell – AP7 Projectes tècnics
Stage management: Roser Puigdevall
Lighting technician: Ángel Puertas
Sound technician: Marcel Ferrer
Stagehand: Koko (Lluís Nadal)
Set construction: Taller d’escenografia Castells
Costume making: Núria Monfort
Assistant director: Martina Cabanas
Assistant director (intern): Julieta Dentone (ESAD – Institut del Teatre)
Assistant set designer: Sergi Cerdan
Executive producer: Macarena García
A production by Temporada Alta and Teatre Lliure
By the same director
Història d’un senglar (o alguna cosa de Ricard) (TA20, TA21, TA23, TA24), Mi muñequita (TA08)
Iberoamerica Connection: 
WORLD PREMIERE
